54. Simon, André L[ouis] (1877-1970). History
of the Champagne Trade in England. London: Wyman and Sons,
1905. 22 cm. (3 leaves), 193 pages. Red cloth, gilt lettering. Covers slightly
bowed, lightly soiled, and waterstained at upper and lower edges, with "print-through"
pink stains along edges of pastedowns and endpapers. However, all things
considered, this is an acceptable copy.
This
scholarly history is Simon's first of more than a hundred contributions
to the literature of wine. It is fitting that the aristocratic Saint-Evremond
(1610-1703), who makes an early appearance in this book as an important
promoter of champagne, had something in common with Simon, in that he spent
a good part of his life in England. Because of political indiscretions in
France, he opted to seek refuge in England (1661), where he lived a life
fitting for a champagne lover. Like Simon, he lived to the age of 93, a
rather ripe old age for the time and no doubt attributable, in some measure,
to champagne. Swift, another literary figure (Saint-Evremond gained his
literary fame posthumously), on the other hand, blamed champagne for his
ill health. "Just as the man of to-day, who spoils a good dinner by two
or three whiskies-and-sodas after hock, Champagne, and port, will attribute
the next morning's headache to the Champagne of the night before, so did
Swift, who drank more port than was good for him, blame Champagne when his
liver was out of order …" [page 32].
Simon's audience for this book was the wine trade. It had in fact been written
in instalments for the Wine Trade Review. "… most of the information
… has been supplied by some of the oldest and most distinguished members
of the Trade, both in England and Reims, [enabling the author] to state
facts and figures strictly accurate and original." [page 1]. [See By
Request, item 85 below].
55. (Simon,
André L[ouis]). Richard Ames. The Search After Claret. 1691. London:
(1912). Printed by Palmer, Sutton & Co. xvi, (title leaf: The Search
After Claret, 2nd ed, 1691), (2), 18, (1 leaf), (title leaf: A Farther
Search After Claret, 1691), (2), 19, (1), (title leaf: The Last Search
After Claret in Southwark, 1691), (2), 11 pages. In pencil on cover:
"2/8/12. Reviewed." Paper. Covers worn, chipped and waterstained. Internal
waterstaining on pages (i-iv) and pages 7-11 at end.
"This
Edition consists of 50 Copies printed on Dutch hand-made paper and numbered
from 1 to 50." This copy not numbered: "Review Copy." Simon dedicates the
publication of these facsimile reprints of originals in his possession to
Lord Rendlesham, "the finest judge of Claret it has ever been my privilege
to know …" Dated at Royal Societies Club, 24th June, 1912. "Richard Ames
is as dull and as crude as any poetaster of the seventeenth and eighteenth
centuries when discoursing upon politics, religion and the frailty of women,
but he becomes quite fascinating when he tells us about his love for good
Claret, and when he takes us round to all the most famour taverns in London,
Westminster and Southwark."
Simon gives us a brief historical review of claret in Bordeaux and England
[ix-xvi]. This is followed by Ames' series of vain searches for Claret in
a monumental pub crawl, 90 in the first search, 70 in the "farther search,"
and 15 in the "last search," then in the end
"Resolving the dull tedious search to give o're And never inquire for
Old Dry Claret more."
Here are a few of their typical experiences:
" At the Rose we no sooner had come to the Bar, But a sawcy
Whelp askt if Arrested we were; We esteem'd this Affront, as provoking
as any, Kick his Arse, and went out without spending a Penny."
"At the Captains we thought t'have found that which was good,
But he told us in short, 'twas a Wonder he shou'd; For the
French Wine he bought, and paid ready Cole for't, E're it came into
Cornhill 'twoud all of 't be Port."
At the Bear, "the first House in Southwark built after the
Flood, And has such a Succession of Vintners known,
Not more names were e're yet in Welsh Pedegree shown: But Claret
with them was so much out of Fashion, That it has not been known there
for a whole Generation."
In the "advertisement" at the end of The Search After Claret, Ames
says: "If any Vintner, Wine-Cooper, &c. between White-Chappel
and Westminster-Abby, have some … Old, Rich Unadulterated
Claret, and will sell it … This is to give notice, he shall have more
Customers than half his Profession …"
56. Simon,
André L[ouis] (1877-1970) (editor). In Vino Veritas. A book about wine.
London: Grant Richards, 1913. Printed by Wyman & Sons,
London. 19.5 cm. ix, 202, (1 catalog) pages. Green cloth, elaborate gilt
grapevine border and gilt vignette ("in vino veritas"). Attractive copy.
In
the introduction, dated Christmas, 1912, Simon says "there must be many
who would like to know something more reliable about alcohol than what is
to be found in the numerous publications issued by the total abstinence
associations. There has not been any comprehensive work upon wines and spirits
published in England for many years, and the Committee of the Wine Trade
Club have decided to issue a series of text-books to supply the public as
well as wine-merchants with authentic facts and figures about wines. The
present volume … consists of six chapters which correspond to the six lectures
delivered by the Wine Trade Club at Vintners' Hall during the winter of
1911-1912 … it contains a … description of the wine trade in England and
general information on the growing of vines, the art of wine-making, the
science of distillation and the effects of alcohol upon the human body …"
The Grant Richards catalog page at the end lists forthcoming books, uniform
with this volume: The Blood of the Grape (in two volumes); The
Tears of the Vine; The Spirit of Moderation.
57. Simon,
André L[ouis] (1877-1970). Bibliotheca Vinaria. A bibliography of books
and
pamphlets dealing with viticulture, wine-making, distillation, the management,
sale, taxation, use and abuse of wines and spirits. London:
Grant Richards, 1913. Printed by Ballantyne, Hanson & Co., Edinburgh.
25.5 cm. viii, 339, (1) pages. Top edge gilt. Black cloth, gilt vignette
on cover [same as item 56 above], showing only some minor discoloration
at top left corner of front cover and top edge of back cover, as well as
some light wear.
[Ref M176].
Edition limited to 180 copies for sale, of which
this is No. 136. No doubt the scarcest of the wine bibliographies. This
is probably as good a copy as any still in circulation – better than either
the New York Public Library copy (#97, seen in 1965), or the one I saw many
years ago at Berry Brothers in London. A facsimile reprint, from André Simon's
own copy, with additions entered on interleaved blank pages, was published
by Holland Press, London, in 1979 (with a touching foreword by Hugh Johnson),
in an edition limited to 600 copies. Another reprint was published in 1999.
"This Bibliography has been written primarily to supply a printed catalogue
for the library of the Wine Trade Club." It is difficult to use as a reference
work, because it is divided into 17 separate subject sections, four of them
further sub-divided by language or geographic area. Of some help are five
appendices which list authors alphabetically for books published in Latin,
English, French, German and other languages. Fortunately this deficiency
has been rectified by a bibliographical jewel, published by Gail Unzelman
(Nomis Press, Santa Rosa, 1990), in which all three of Simon's bibliographic
works are cross-referenced by author, short title and date of publication.
Also included is a rather comprehensive checklist of Simon's works.
From a book collector's point of view, Simon's bibliographic entries are
unsatisfying because they lack the descriptive detail of a Vicaire or Bitting
that we crave . Eleanor Lowenstein, the late great dealer in books on cookery
and wine, told me once that she found his bibliographies exasperating. However,
in fairness to Simon, although he called this work a "bibliography" as well
as a "catalogue," in his later Bibliotheca Gastronomica he retracted
the "bibliography" appellation [see item 78 below].
58. Simon,
André L[ouis] (1877-1970). Wine and Spirits. The Connoisseur's Textbook.
London: Duckworth & Co., (1919). Printed by Wyman & Sons,
London. 22 cm. xvii, 272, (1) pages. Bookplate of former Cuban ambassador
to the US: "Este libro es de Oscar Benjamin Cintas, La Havana." Brown cloth
with decorative grape design border on front cover, identical to the one
on the cover of In Vino Veritas (item 56 above). Color washed away
on small portion of covers, mostly on back cover, else a nice crisp copy,
in frayed and soiled dustjacket.
At the time of publication of this book, the
US was about to embark on its Prohibition voyage, and Simon makes a reference
to it in the introduction: "… the same experiment as Mohamed and China made
seven and fourteen centuries ago. If they persevere, it will be interesting
to watch the results which will follow in a few generations … A world of
total abstainers might be a decorous world, a virtuous world … [but] there
is some evidence [that it might be] a world without poetry, without music,
without painting, without romance; utterly destitute of humour …" This "textbook"
presents a survey of wines and spirits, beginning with chapters on Port
and Sherry and on through spirits, beer, and water, to the care of wine,
the physiology of drinking, and some vintage notes (1847-1918). Simon mixes
philosophy and humor with the facts, though some of the latter are surprising,
as when he informs us that California extends to the 42nd parallel and that
"in the north, it adjoins British Columbia." [page 100].
In the chapter on water, Simon says that the main reason for the neglect
of the great variety and excellence of the mineral waters of England "is
undoubtedly the ignorance of the great majority of English medical men …"
which one may regret but which is understandable, since the subject is so
complex, "and yet it forms no part of the medical curriculum." He relates
an occasion when he had suffered food poisoning and a "celebrated Harley
Street specialist" ordered him to drink only water – Vichy was fine – but
declined to specify which one. When pressed by Simon, who enumerated some
of the differences in the composition of the various Vichy mineral spring
waters … "I was then informed icily that a doctor does not argue with a
patient, and I realised very vividly that there was one very good reason
for it." [216-217].
59. Simon,
André L[ouis] (1877-1970). Wines & Spirits. The Connoisseur's Textbook.
London: Charles Skilton, (1961). Printed by C. Tinling
& Co., Liverpool. 23 cm. 194, (16 wine maps & ads) pages, including 8 photo
plates (pages 49-64). Note tipped in on page 48: "Pages 65 and 66 of the
text have been inadvertently numbered 49 and 50." Red cloth, pictorial dustjacket.
Signed on title page: "André L. Simon." Simon
took much of his material from the 1919 edition of the same title, but there
are a number of changes. For example, the passage on temperance and prohibition
in the introduction of the 1919 edition is left out of this one. Also dropped
are chapters on beer, cider, water, and on California. Wine areas added
in this edition are Hock and Moselle, Yugoslavia, Switzerland. "Marsala"
has been expanded and renamed "Italy," and rightly so, but will Sicilians
forgive him? Gabler (page 260) lists the title as "Wines and spirits, the
connoisseur's handbook."
60. Simon,
André L[ouis] (1877-1970). Das Weinbuch des Kenners. Mainz & Berlin:
Florian Kupferberg, (1965). Printed in Germany by Poeschel & Schulz-Schomburgk,
Eschwege. 24 cm. 143 pages + 11 glossy photo plates. Endpaper wine map of
Europe. Peach-colored cloth, lightly worn dustjacket. Pages 81-84 have a
horizontal wrinkle across the middle, a binding fault.
Inscribed
on endpaper: "For Nancy & Eberhard Buehler from André L. Simon, July 1967."
German translation of Wines and Spirits, The Connoisseur's Textbook
(item 59 above), by Ursula Schweickert. The selection of photos for this
edition is mostly different from that in the English edition and there only
22, versus 26. The verso of the title-page indicates that there are 24 illustrations,
which may include the frontispiece and the endpaper map. Rather interesting
is the caption for the frontispiece illustration, which reads "German woodcut,
end of 15th century." The caption for the same frontispiece in the English
edition reads "A late fifteenth-century French Wood-Engraving."
61. Simon,
André L[ouis] (1877-1970). The Blood of the Grape. The Wine Trade Text
Book. London: Duckworth & Co, (1920). Printed by Wyman
& Sons, London. 22.0 cm. vii, 301, (1), (1 book list) pages. Stamp on title
page: "To be published on 1 [or 17?] Oct." Green cloth, lettered in red,
with decorative grapevine border on cover, as on cover of Wine and Spirits
(item 58 above). Spine faded. Small waterspots at lower right corner of
front cover and at bottom of spine. An acceptable copy.
On half title: "Being the substance of Lectures
delivered at the Wine Trade Club during the winter 1919-1920, before employees
in the Wine Trade." Simon provides information on all aspects of the wine
trade, including ethics, about which he had strong feelings.
Listed at the end of the book are Simon's works to date on wine and the
wine trade, all listed above, except for the three volumes of the History
of the Wine Trade in England, 1906-1909, my fine copies of which, with
an inscription by Simon in Volume 3, regrettably did not survive.
62. Simon,
André L[ouis] (1877-1970). Wine and the Wine Trade. Pitman's Common Commodities
and Industries. London (+ Bath, Melbourne, Toronto, New York):
Sir Isaac Pitman and Sons, (1921). 18.5 cm. xiii, 110 pages + 15,
(1) catalog pages. Illustrations, mostly photos. Cloth boards. Spine chipped
and partly detached.
Other subjects in the Pitman Commodities series
included coffee, copper, cotton, petroleum, salt, lead, explosives and many
others. In this volume, Simon continues his educational campaign on wine,
with chapters on the vine, wine making, history of wine in England, and
surveys of port, champagne, claret, burgundy, hock and moselle. In the preface
he deplores the sale of fake wines by shameless traders, because the buyer
loses not only his money, but his health as well. Regarding his earlier
works, he says that Wine and Spirits was written "for country gentlemen,"
The Blood of the Grape "for persons engaged or interested in the
Wine Trade," and the present volume "… in order that the general public
in England might acquire … a little more knowledge than they appear to possess
about one of the greatest of all God's gifts to man: WINE." The preface
is dated April, 1921.
63. Simon,
André L[ouis] (1877-1970). The Supply, the Care and the Sale of Wine.
A book of reference for wine-merchants. London: Duckworth
& Co., 1923. Printed by Wyman & Sons, London. 19 cm. viii, 208, (1 book
list) pages. Ownership name on endpaper: "Robert Schildman, Hotel Mayfair,
1934." Maroon cloth. Worn at outer edge of back cover.
Introductory note: "The following twenty chapters
represent the substance of the Wine Trade Club Lectures delivered by Mr.
André L. Simon at Vintners' Hall during the winter 1922-23 … Appendix A
… winter 1920-21." In the introduction, Simon urges merchants not to ignore
common wines. "Remember that common salt, common as it is, and common sense,
uncommon as it is, are excellent, not to say indispensable." In the first
third of the book, Simon reviews the various wines of Europe. The remainder
is devoted to the shipment and care of wine, with appendices on fermentation,
wine duties, regulations regarding British wines, etc.
64. Simon,
André L[ouis] (1877-1970). Bottlescrew Days. Wine Drinking in England
during the Eighteenth Century. London: Duckworth, 1926.
Printed by Wyman & Sons, London. 22 cm. 273, (1 book list) pages + 51 glossy
plates, indexed in a list of illustrations. Orange cloth. Covers waterstained
and warped. Internally mostly clean, with damp-rippling and occasional waterstaining.
A reading copy only.
In the introduction, Simon says that his
History of the Wine Trade in England, written "more than twenty years
ago," paused at the end of the seventeenth century, since another volume
for the eighteenth century "on the same lines as the three preceding ones
would have been too bulky." He decided to follow a different plan, and this
book is the result. Two features that characterize this period are "the
extraordinarily drunken habits of rich and poor alike" and the influence
on civilization and table manners of the invention of the corkscrew, and
all the changes it triggered. Chapter headings give a good summary of the
contents: I & II. Queen Anne and the Georges; III. Smuggling, customs and
excise; IV. Port; V. The wines of France; VI. The wines of Spain, the Canaries,
Madeira, Italy and Germany; VII. Wine glasses and wine bottles; VIII. Wine
labels and bottlescrews; IX. Drinking songs and toasts. Simon dedicates
this work to the cause of temperance, in the conviction that the more general
use of wine "would help to check both drunkenness and teetotalism, evils
which every fair-minded and temperate man cannot help deploring." This is
a recurring theme in Simon's books, one that he felt very strongly about.
This book was also published in 1927 by Small, Maynard, Boston. Simon told
me that he did not own that edition and that it was probably pirated.
65. Simon,
André L[ouis] (1877-1970). The Art of Good Living. A contribution to
better understanding of food and drink, together with a gastronomic vocabulary
and a wine dictionary. With a frontispiece after Daumier and a foreword
by Maurice Healy. New York: Alfred A. Knopf, 1930. Printed
in Great Britain. 20.5 cm. xii, 201 pages + frontispiece plate with protective
tissue. Black cloth backed mottled boards. Considerably warped throughout
from moisture damage. Internally clean for easy reading.
Healy's foreword is written with the charm and
humor that we came to appreciate in the books he was to write a number of
years hence. Here he says that "Monsieur Simon has in a sense forestalled
this magnum opus of mine, and has supplied me with that excuse for not writing
it that I was anxiously seeking." Simon gives some reasoned advice on taste
in food and drink. Good or bad taste in dress "cannot make any difference
to anybody." But "the Claret you are drinking with the Chocolate Soufflé
not only looks wrong but it is wrong, and it will do you harm."
What others think it is better you not know. "But this is of very little
importance compared to the distress caused to your inoffensive, helpless
friends below, … your stomach, kidneys, liver, bladder … have to put up
with the unholy mixture which you have so rashly sent below, where it will
undergo all sorts of more or less violent transformations, generate gases
and acids, and be a source of endless troubles …" [pages 16-17]. That was
in the opening section, "The Art of Good Living." It is followed by sections
on "Wine" and "Food: from hors d'oeuvre to dessert," with good advice in
both. Finally there are extensive glossaries, one for gastronomy, and another
for wine.
This book was first published in 1929 (London, Constable).
66. Simon,
André L[ouis] (1877-1970). Wine and the Wine Trade. Second Edition.
London: Sir Isaac Pitman and Sons, 1934. Printed in GB
at the Pitman Press, Bath. 22 cm. ix, 129 pages. Illustrations, mostly photos.
Cloth. Spine darkened and stained, covers show waterstaining at edges. Internally
clean, but damp-rippling throughout.
Simon's preface is pretty much identical to
that of the first edition, but he adds that the vineyards and wines of the
world are constantly changing and that "is why all books that deal with
wine have such a short span of useful life. Hence this new edition … which
is not only much enlarged, but different also from its predecessor in many
respects." There are some new photos, but the basic outline is not much
changed, except for the addition of a chapter on "Empire Wines" [Australia
and South Africa]. In that chapter there are a few paragraphs on British
wines, which, according to Simon, "must not be confused with English wines.
English wines have been made for centuries past from rhubarb, cowslip, and
various flowers, fruits, roots, and vegetables, but British wines are of
recent date. British wines owe their name in the first place to the fact
that they consist for at least three parts of their bulk of Thames water
or water from some entirely British river. Until the War, the raisins or
‘must’ imported to make British wines came mostly from Greece. Since the
War, however, Empire ‘must’ is being imported …" [page 126]. And I had always
thought that Rumpole's "Thames Embankment" red or white was a fictional
product.
Laid in is a signed, typescript letter from Simon to Bob Brown, which reads
in part: "I am very sorry that I did not have your address when I was in
New York earlier this year for a very short time, as it would have given
me much pleasure to meet you and also to look at your stock of books – although
I have as many as ought to satisfy any greedy collector, I am still on the
look-out for rare items."
67. Simon,
André L[ouis] (1877-1970). The Wines of France. New York:
The Wine and Food Society, 1935. 17 cm. 64 papes. Green paper. Water
damaged, with color print-through from covers to adjoining first and last
pages. Damp rippling throughout, but a satisfactory reading copy and place
holder.
On cover: "Price 10 cents." A little reference
booklet, with a series of questions and answers – a French wine FAQ, we
might say – and a glossary (pages 37-64).
68. Simon,
André L[ouis] (1877-1970). The Wines of France. France:
French Government, 1939. Printed in France by Crété, Corbeil. 17 cm.
32 papes. Pale mottled paper. Back cover worn, staples rusted.
A modified edition of item 67 above. There is
an added page on the dessert wines of Languedoc and Roussillon, and the
glossary has been dropped.
69. Simon,
André L[ouis] (1877-1970). Star Chamber Revels (Or, The Fountayne of
Justice). A Satyre acted on Friday the eleventh of June, in the yeare 1602,
by the then Lords of the Queene Elizabeth's most honourable Council.
Peekskill, NY: Printed by Crosby Gaige at the Watch Hill Press,
1937. 23.5 cm. (half title leaf), v, (1), 45 pages. Dark brown boards, paper
label. The original tissue dustjacket is missing. Binding is waterstained
and warped. Internally, the early pages are discolored from dampness. Unfortunately
only a reading copy or a stand-in for a better copy you might some day acquire.
Colophon: "And so, Gentle Reader, the printing
of this book, written by brother André, was completed at Watch Hill Farm,
Peekskill, New York, on the last day of October, MCMXXXVII, with much travail
and many interruptions. Two hundred, three score and fifteen copies were
wrested from a reluctant hand press by James Hendrickson, poor wretch, who
by the Grace of God might have been otherwise, but not more pleasantly,
employed. C.G." Simon's signature appears at the end of the "Introductory
Note" on page v: "André L. Simon."
The
Lords of the Privy Council met twice a week in the "Court of Star Chamber,"
so-called because the room had a star-spangled ceiling. On completion of
their court cases, the lords would enjoy a lavish dinner as guests of the
sovereign, at which the Archbishop of Canterbury and the Lord Chancellor
were the last speakers. Simon had collected a large number of records with
detailed accounts of these dinners covering a period of 120 years, from
Henry VIII to Charles I. He was inspired to look up some of the actual cases
heard in the court, and was then tempted "to try and bring back to life,
in the form and language of an Elizabethan play, the Lords of the Star Chamber
in Court and at dinner." The play is in five acts: 1 - kitchen staff at
market in the morning buying provisions for dinner; 2 - court room proceedings;
3 - kitchen discussion of food to be served; 4 - butler and "wine-drawer"
discussing the wines to be served; 5 - the dinner, or rather the after-dinner
revelry. The language is properly bawdy. For example, in discussing one
of the wines to be served – a Rhenish wine from a new cask – the butler
says: "God and the vintner man be praised for't. My Lord Buckhurst was loud
enough in his cursing of the last Rhenish we had. He swore 'twas as thick
as puddle and horsepiss." [page 34].
70. Simon,
André L[ouis] (1877-1970) (compiler).. A Dictionary of Gastronomy. Compiled
by André L. Simon, president of the Wine and Food Society (of London).
New York: Farrar, Straus and Company, 1949. Printed by
R. Aikman & Son, Manchester. 25 cm. (5), 264 pages. Blue cloth, gilt. Nice
copy, in worn and chipped dustkjacket.
A comprehensive dictionary of food and drink,
from "abalone" to "zwieback," and including many French culinary names.
"French has been the universal language of Gastronomy far longer than English
has been the universal language of sport. There is no French name for a
handicap or a starter, a putter or a niblick, and there is no English name
for Foie Gras, Bouillabaisse or Mayonnaise." [foreword].
71. Simon,
André L[ouis] (1877-1970) (editor). Champagne. The ‘Wines of the World’
Pocket Library. London: Wine & Food Society, (1949). Produced
by Newman Neame and printed by Charles Skipper & East, London. 16.5 cm.
15, (1) pages. Map. Yellow boards.
The first of 17 uniform booklets on wine in
this format. Champagne was André Simon's first wine love and the subject
of his first book in 1905. Gabler (page 262) and Unzelman (page 342) list
this and the following item (72) as the first two of 10 items published
in 1950.
72. Simon,
André L[ouis] (1877-1970) (editor). Port. The ‘Wines of the World’ Pocket
Library. London: Wine & Food Society, (1949). Produced
by Newman Neame and printed by Charles Skipper & East, London. 16.5 cm.
15, (1) pages. Map. Burgundy boards.
The second of 17 booklets in this format.
73. Simon,
André L[ouis] (1877-1970) (editor). Sherry. [South Africa]. [Claret].
[Sauternes]. [Brandy]. [Rum]. [Burgundy]. [Hocks and Moselles]. The ‘Wines
of the World’ Pocket Library. London: Wine & Food Society,
(1950). Produced by Newman Neame and printed by Charles Skipper & East,
London. Eight volumes. Each 16.5 cm. Each 15, (1) pages, except Claret:
19, (1) pages. Each volume has one map, except Hocks & Moselles,
which has two. Sherry, Sauternes, Hocks & Moselles, Brandy in yellow
boards, others maroon. Rum has a scuffed spine, others are OK. Boxed
as a set in a dark blue slipcase, which has a piece missing.
Volumes 3 through 10 of the 17 published in
this series. See following item (74).
From colophon of the last volume (Hocks and Moselles): "Published in 1949
– Champagne, Port. Published in 1950 – Sherry, South Africa, Claret, Sauternes,
Brandy, Rum, Burgundy, Hocks & Moselles." Note that the first two were not
boxed with the present set.
74. Simon,
André L[ouis] (1877-1970) (editor). Italy. [Madeira]. [California.
By Maynard A. Amerine]. [Switzerland]. [Yugoslavia]. [Rhône - Provence
- Languedoc - Roussillon]. [Alsace - Arbois - La Loire - Monbazillac - Jurançon].
[Brandy]. The ‘Wines of the World’ Pocket Library. London:
Wine & Food Society, (1950). Produced by Newman Neame and printed by
The Thanet Press, Margate, Kent. Eight volumes. Each 16.5 cm. Each 15, (1)
pages. Each volume has one map, except Alsace - Arbois - La Loire - Monbazillac
- Jurançon has three (Alsace, Arbois, Loire), Switzerland has
two (Suisse Romande, Luxembourg), as has Rhône - Provence - Languedoc
- Roussillon (Rhône, Mediterranean Coast). Italy, Madeira, California
and Rhône are in red boards, the others in green. All are in very good condition.
Boxed as a set in a decorated slipcase, which is scuffed and torn, but presentable.
Of the 17 volumes published in this series,
two were first published in 1949 (Champagne and Port), eight
more in 1950, and the remaining seven in 1951. Brandy, which appears
as the eighth volume in the present set, was first published in 1950. This
reprint is identical, except for the map placement, printer, date and color
of binding.
There appears to be some confusion about which volumes belong to which series.
Newman Neame later sold two series "in a gaily coloured gift case" … "First
Series: Port, Champagne, South Africa, Sherry, Claret, Sauternes, Hock,
Burgundy; Second Series: Madeira, Yugoslavia, Italy, Switzerland,
California, Loire, Rhône, Brandy. Additional volume: Rum." [See back of
dustjacket of What About Wine?, item 80 below]. This is the same
list that appears on the colophon pages of the present set, which is also
housed in what might be considered "a gaily coloured gift case." Obviously
the booklets were packaged in several combinations at one time or another.
75. Simon,
André L[ouis] (1877-1970) (editor). South Africa. The ‘Wines of the World’
Pocket Library. London: Wine & Food Society, (1951). Produced
by Newman Neame; printed by Charles Skipper & East, London. 16.5 cm. 15,
(1) pages. Map. Burgundy boards. Covers worn, with a hole in spine at juncture
with front cover.
First published 1950. Second edition 1951. Identical
to first edition, except for colophon. The colophon lists all booklets published:
"First Series – Champagne, Port, Sherry, South Africa, Claret, Sauternes,
Burgundy, Hocks & Moselles – Brandy, Rum. Second Series – Italy: I Table
Wines, II Dessert Wines, Madeira, California, Switzerland, Yugoslavia, Rhone,
Loire." This is another variant, but it lists all 17 volumes.
76. Simon,
André L[ouis] (1877-1970). How to Enjoy Wine in the Home. London:
Newman Neame, 1952. Printed in GB by Benham & Co. 32 pages. Map of
the vineyards of Europe. Illustrations. Decorated boards.
An attractive little book with general advice
for the novice. "… the poor man with a palate is much better off than the
rich man who has not got one, since he may possibly be rich one day, and
still have a palate, whilst the rich man who may be poor one day will never
have any taste." [page 6].
77. Simon,
André L[ouis] (1877-1970). The Gourmet's Week-End Book. With decorations
by Beryl Irving. London: Seeley Service & Co., (1952).
Printed in GB by the Bowering Press, Plymouth, 1952. 19 cm. 347, (1) pages.
Illustrations. Decorated title page and endpapers. Maroon cloth backed pale
yellow cloth. Short crease (or dent) on front cover, else a nice copy.
A long ramble through the gastronomic woods
with the most knowledgeable of companions. Simon presents a mixture of historical
information on wine and food, descriptions of memorable meals, and advice
on wine and food in general. There are a number of chapters on wine and
chapters on old cookery books, English truffles, and so on. The chapter
on wine and tobacco is interesting because of Simon's lifelong devotion
to good cigars. In the same chapter he tells us why he disagrees with the
view that as a rule women have a better palate than men. I don't agree with
his reasoning, but it's interesting nonetheless. Simon deplores the shortage
of wine: "Why wine … should be barred at a time when other foods are in
short supply, and when most people are so badly in need of a tonic, is a
sure sign, and unfortunately by no means the only one, that we live in a
world that is quite mad." [page 19]. Of particular interest to me is the
chapter "Gourmand and Gourmet," which explains the difference very well,
and which has been an education to me. I had thought that the distinction
we observe in English was not as strong in French. This was based on the
use of these words by Grimod de la Reynière, and on the fact that so many
words lose something in the transfer from French to English and vice versa.
On checking Le Grand Robert, one of my prized CD-ROM possessions,
I learned that the word gourmand in the 17th century referred to
someone who loves good cooking, is exacting in matters of food, but it changed
its meaning to "big eater" in the 18th century – goodbye Grimod. However,
when the word gourmet is used as an adjective, as in "gourmet meal,"
since gourmet has no feminine form, the preferred word today is
gourmand. Etymologically, gourmet comes from Old French
gromet, meaning valet [related to horse groom], and later valet of a
wine merchant. The connection with gourmand came later. Sorry, I
couldn't resist this digression – thanks, André.
78. Simon,
André L[ouis] (1877-1970). Bibliotheca Gastronomica: A Catalogue of Books
and Documents on Gastronomy. Compiled and annotated with an introduction
by André L. Simon, President of the Wine and Food Society. The production,
taxation, distribution and consumption of Food and Drink, their use and
abuse in all times and among all peoples. London: The Wine
and Food Society, 1953. Printed at the Curwen Press, Plaistow, E.13.
25.5 cm. (11), 196, (1) pages. Title-page illustrations. Top edge gilt.
Red cloth, small portion of lower front corners and upper spine waterstained,
leaving trace of red on lower front corner of pastedowns. Dustjacket torn,
chipped and stained.
"This edition is limited to 750 copies. This
is Number 125." Simon says that typographical details, such as format
and number of pages, have not been given except for some rare incunabula
and certain items of unusual shape. For some books reference is made to
Bibliotheca Bacchica, which gives "fuller bibliographical treatment"
to incunabula and sixteenth-century books. "No bibliography of Gastronomy
has so far been published in any language comparable to Vicaire's Bibliographie
Gastronomique (1890). Vicaire describes with commendable accuracy a
very great number of books of gastronomic interest … Bibliotheca Gastronomica
is quite different both in its purpose and its form: it is not a Bibliography
but the Catalogue of a very personal Library, a Catalogue of some of the
books which have given me considerable pleasure to collect in the course
of the past half-century … When I decided to hand over my Library to the
Wine and Food Society for safe keeping, I realized that … there should be
a Catalogue …" The introduction is dated Christmas, 1952.
79. Simon,
André L[ouis] (1877-1970). Bibliotheca Gastronomica: A Catalogue of Books
and Documents on Gastronomy. Compiled and annotated with an introduction
by André L. Simon, President of the Wine and Food Society. The production,
taxation, distribution and consumption of Food and Drink, their use and
abuse in all times and among all peoples. London: The Wine
and Food Society, 1953. Printed at the Curwen Press, Plaistow, E.13.
25.5 cm. (11), 196, (1) pages. Title-page illustrations. Top edge gilt.
Red cloth. Dustjacket is soiled and worn.
"This edition is limited to 750 copies. This
is Number 644."
80. Simon,
André L[ouis] (1877-1970). What About Wine? All the answers. Wood engravings
by David Gentleman. London: Newman Neame, (1953). Printed
by Morrison and Gibb, London and Edinburgh. 19 cm. 56 pages + 4 glossy photo
plates. Full page woodcut frontispiece illustrations and a number of headpiece,
tailpiece and other woodcut vignettes. Pale tan cloth, gilt decoration.
Dustjacket is price-clipped, lightly soiled and edge-worn.
Another attractive little book, in the form
of questions and answers on a wide range of wine topics. Simon, in his inimitable
way, is never condescending, and can be suprisingly specific at a basic
level.
81. Simon,
André L[ouis] (1877-1970). English Fare and French Wines. Being Notes
Towards the Furtherance of the Entente Cordiale Gastronomique. Illustrated
by Zelma Blakely. London: Newman Neame, (1955). Printed
by Millbrook Press, London. 19 cm. viii, 76 pages. Frontispiece, title,
and headpiece wood engravings. Gray cloth, in lightly soiled dustjacket.
An annotated dictionary of English foods (fish,
flesh, fowl, game birds, cheese, English sauces), together with a listing
of a thousand or so French wines: Three-star, Two-star, One-star and Ordinaires.
"English fare is … never so good as in England, never better than when partnered
with French wines." [page viii].
82. Simon,
André L[ouis] (1877-1970). The Wine and Food Menu Book. London:
Frederick Muller, (1956). Printed by Wyman and Sons, London. 20.5
cm. 377 pages. Headpiece illustrations. Pale blue cloth, spine faded.
©1956. Simon feels Great Britain's compensation
for its bad climate is the availability of a great variety of wines. Although
people in the wine countries pay no more for wine than a Briton pays for
beer, they drink the same wines day after day. "… one cannot get any Chianti
or Pouilly in Bordeaux, any more than a Barsac or Saint-Julien in Beaune,
and anybody asking for Hocks or Moselles in Italy, Spain and Portugal would
probably be told that they had not heard of it and that the Germans never
made any wine at all." The purpose of this book is to provide guidance in
matching "all manner of different foods with all manner of different wines
…" And it is to be understood that any wine recommended may be replaced
by any other of the same type. For each month of the year, there are three
party luncheons, three simple luncheons, three party dinners, three simple
dinners, with food and wine specified for each. And these are not just variations
on a standard gourmet theme. One "simple dinner," for example consists of
cucumber soup, fried skate, veal olives, and baked gooseberry pudding, washed
down with Lutomer Chipon, a Slovenian white. All component foods and wines
are indexed at the end of the book. Twelve "gourmet" meals per month – a
lot to digest.
83. Simon,
André L[ouis] (1877-1970). Know Your Wines. London: Coram
Publishers, [1956]. Printed by Coalville Times, Coalville, Leics. 22.5
cm. 115, (1) pages. Maps, photos, label reproductions and advertisements.
Rose cloth. There was a dustjacket, which is no longer.
Covers the wines of Europe, and has a few pages
on South Africa and Australia.
84. Simon,
André L[ouis] (1877-1970). Know Your Wines. London: Coram
Publishers, [1956]. Printed by Coalville Times, Coalville, Leics. 21.5
cm. 115, (1) pages. Maps, photos, label reproductions and advertisements.
Pictorial paper [same as dustjacket on the cloth edition].
See item 83 above.
85. Simon,
André L[ouis] (1877-1970). By Request. An Autobiography. London:
The Wine and Food Society, 1957. Printed in GB at the Curwen Press,
Plaistow, E.13. 25.5 cm. ix, (2), 180 pages + frontispiece portrait of Simon
and 4 additional photo plates, with tissue guards. Bibliography of Simon's
writings pages 159-174. Blue cloth, in torn and chipped, but acceptable
dustjacket.
Simon was eighty when he completed this autobiography.
Who would have guessed that there would be another autobiography a dozen
years hence? As the title suggests, Simon wrote this book at the insistence
of his friends: "There are now a great many members of the Wine and Food
Society of the world: they all know the name of the President …, but most
of them know absolutely nothing about him except that he is an old man who
appears to enjoy still a remarkably fine appetite. – Why should they wish
to know more? – I cannot tell, but I have been assured persistently and,
at last, convincingly that they do …" [foreword].
For a wine lover who also loves books on wine, this is of course must reading.
Of special interest is the story of how Simon was able to return to his
first love – printer's ink. In 1903, shortly after moving from Reims to
London, the journalist A. S. Gardiner, to whom Simon had confessed his first
love, commissioned him to write twelve articles on champagne to be published
in the Wine Trade Review, over Simon's objection that his English
was imperfect. "Gardiner not only vetted my prose but he took great trouble
to make me realize the difference between what was permissible and what
was desirable in the matter of grammar and construction. When, in December
1905, these articles were published in book form, … I was naturally very
happy and quite unduly proud of myself. I had had a book, my first book,
published. It was cheaply and poorly printed … in a small edition …; sales
were small and practically all the copies were given away. – The History
of the Champagne Trade in England has long been out of print and out
of date; it never was a good book, I know, but for me it is the most important
of all my books. I had written it for the love of printer's ink, and … it
was a marvellous tonic …" [pages 18-20].
The addenda consist of notes on the various branches of the Wine and Food
Society and their anniversary dinners. Simon describes the dinner held by
the New York branch in May 1955. "Jeanne Owen [Executive Secretary since
1938] has somehow managed to become a most efficient American business woman
without ceasing to be an irresistibly charming Frenchwoman … … She went
to Air France and suggested that it would be a gracious gesture on their
part to fly me from London to Paris, from Paris to New York, and back again
in two hops a few days later, and Air France at once said: ‘Avec plaisir,
Jeanne!’ …" [153-154]. Well, you'll just have to read the whole book yourself.
86. Simon,
André L[ouis] (1877-1970). The Noble Grapes and the Great Wines of France.
With 24 colour photographs by Percy Hennell and eight maps and decorations
by Asgeir Scott. New York, Toronto, London: McGraw-Hill Book
Company, (1957). Printed by Drukkerij Holland of Amsterdam. 27.5 cm.
xi, 180 pages + 8 pages of color maps of the wine regions of France at the
end. Frontispiece color photo portrait of Simon + 23 color photo plates
numbered 2 to 24, with captions at foot of each facing page. Bibliography
and glossary pages 160-169. Decorative headpieces, pictorial endpapers.
"Vellum"-backed red cloth, in price-clipped dustjacket. Small crease at
top of spine.
Designed and produced for McGraw-Hill Book Company,
New York, by Rainbird McLean, London. Copyright in Great Britain 1957. With
reference to the production of this book and the quality of the photographic
reproduction, Simon says in the introduction: "It is the first time in the
history of the wine trade and of the book trade that you will be able to
see the exact size, shape and colour of the Cabernets, Pinots and other
grapes, as well as the exact colour of the wines made from each of the main
varieties of grapes. – … – Why has it never been done before? First of all
because it could not be done before the recent development in the art –
it is more than skill – of colour photography, of which I believe Percy
Hennell to be the greatest exponent. In the second place, because to transfer
his colours to paper without loss of quality is a very costly business,
and it has not been easy to find a publisher, willing, able, and courageous
enough to undertake such a publication which is in itself a major operation.
… … May this book bear witness to my affection and gratitude for the Grand
Wines of my native land, be they little or great."
Simon is not alone in his high regard for Hennell. I've seen Percy Hennell
referenced elsewhere as the leading expert in the UK in matters of color
photography. If this uncommonly attractive wine book is also a ground-breaking
wine book, it is fortunate for collectors that it is such a common book.
There must have been a very large print run. This book was also offered
in special luxury bindings.
87. Simon,
André L[ouis] (1877-1970). The Noble Grapes and the Great Wines of France.
With 24 colour photographs by Percy Hennell and eight maps and decorations
by Asgeir Scott. New York, Toronto, London: McGraw-Hill Book
Company, (1957). Printed by Drukkerij Holland of Amsterdam. 27.5 cm.
xi, 180 pages + 8 pages of color maps of the wine regions of France at the
end. Frontispiece color photo portrait of Simon + 23 color photo plates
numbered 2 to 24, with captions at foot of each facing page. Bibliography
and glossary pages 160-169. Decorative headpieces, pictorial endpapers.
"Vellum"-backed red cloth. Dustjacket.
"Second printing. Copyright Rainbird, McLean
Ltd." Otherwise identical to item 86 above.
88. Simon,
André L[ouis] (1877-1970). Die Grossen Weine Frankreichs. Mit 24 Farbaufnahmen
von Percy Hennell, sowie 8 Karten und Vignetten von Asgeir Scott.
Berlin, Frankfurt, Wien: Verlag Ullstein, (1958). Printed
in the Netherlands 1958. 27 cm. xi, 179 pages + 8 pages of color maps of
the wine regions of France at the end. Frontispiece color photo portrait
of Simon + 23 color photo plates numbered 2 to 24, with captions at foot
of each facing page. Glossary of French wine terms and bibliography 162-171.
Decorative headpieces, pictorial endpapers. Red cloth, white vignette and
gilt lettering. In gray slipcase, with red and gilt decoration, matching
the white and gilt of the binding. Slipcase has bumped corners and tears,
but is complete and functional.
©1958 by André L. Simon. Original English edition
published by McGraw-Hill Book Company; Producers, Rainbird McLean, London.
German translation by Margarete Montgelas. Inscription on title-page: "[?Wehrer],
gagné à la Tombola du [??], Luxembourg, 11.3.1960." The original dustjacket
is missing.
89. Simon,
André L[ouis] (1877-1970). Let mine be Wine. The Philosophy of Wine.
The Anatomy of Wine. The Geography of Wine. The Choice of Wine. The Service
of Wine. London: Wine and Food Society, 1958. Heath Press,
Thornton Heath. 18.5 cm. 24 pages. Paper, front cover serving as title-page.
"As the mating instinct is the natural urge
to secure the survival of the race, and the herd instinct the natural urge
for safety in a world full of fears, so the wine instinct is the natural
urge for joy." [page 1].
90. Simon,
André L[ouis] (1877-1970). A Dictionary of Wines, Spirits and Liqueurs.
London: Herbert Jenkins, (1958). Printed by Wyman & Sons,
London. 22 cm. 167, (1 catalog) pages. Pink/orange cloth. Dustjacket, price-clipped
and edgeworn.
First published 1958. There have been a number
of variants of this wine book genre over the years. In English, Simon was,
I believe, first with Wine as a separate section (1946) in the series
A Concise Encyclopaedia of Gastronomy (1940-1946), followed by
A Dictionary of Gastronomy (1949). Then there was Schoonmaker's Dictionary
of Wines (1951), James' A Word Book of Wine (1959). Lichine raised
the bar with his much more extensive Encyclopedia of Wines and Spirits
(1967), and Simon made a final contribution with Gazetteer of Wines,
his last work published posthumously (1972). And there were others, but
none can compare with the current giant of the genre, Robinson's Oxford
Companion to Wine, first published in 1994 and now in its second edition.
Of course, preceding the works in English were massive works in German,
such as Blüher's Meisterwerk der Speisen und Getränke, with a big
section on wines (1901ff), and Goettler's Lexikon … (ca 1910). In
French, there was the Dictionnaire de l'Académie des Gastronomes
in two volumes (1962), the OIV's Lexique de la Vigne et du Vin (1963),
and others no doubt.
91. Simon,
André L[ouis] (1877-1970). Vom Wein und anderen geistigen Getränken.
Mit 100 Abbildungen. Berlin-Grunewald: Herbig, (1960).
Printed by Druckhaus Langenscheidt, Berlin-Schöneberg. 19 cm. 345, (3) pages
+ foldout frontispiece and 16 additional glossy plates, all listed in a
table of illustrations. Initials by Ottomar Starke and other illustrations
by various artists. Endpaper maps of the German and French wine regions.
Red cloth. Dustjacket. Excellent copy.
4. Auflage. Additions ©1960 by F.A. Herbig Verlagsbuchhandlung.
This German translation of A Dictionary of Wines, Spirits and Liqueurs
by Ottomar Starke has been somewhat revised and considerably enlarged. Additional
material includes beer and brewing, and mixed drinks. From the point of
view of graphic presentation, this book is an improvement over the original
English edition. The illustrations for the initials were also used in the
first US edition (item 92 below).
A laid-in card identifies this edition as "22nd thousand" and as a "special
edition, awarded a gold medal by the German Academy of Gastronomy, Frankfurt."
92. Simon,
André L[ouis] (1877-1970). A Dictionary of Wines, Spirits and Liqueurs.
New York: The Citadel Press, (1963). Printed in the USA.
21.5 cm. 190 pages. Frontispiece and title page illustrations. Full page
decorative initials by Ottomar Starke introducing each letter of the alphabet.
Yellow cloth backed maroon boards, in lightly worn dustjacket.
First American edition 1963. The text appears
to have been printed from the same plates as the first edition of 1958 (item
90 above). The interspersing of decorative initials accounts for the 23
additional pages – "XYZ" taking up only one, and "A" occupying a formerly
blank page. The first UK edition had no illustrations.
93. (Simon,
André, editor). Table Manners for Boys. Latin Ms. by a pseudo-Ovid. Probably
early fifteenth century; copied by a French scribe. London:
The Wine and Food Society, [?1958]. Curwen Press. 21.5 cm. 11, (1)
pages + centerfold reproduction of the manuscript. Paper.

The first textbook on table manners to be printed,
"as far as we know, was published in 1483 …" and written by Giovanni Sulpizio
of Italy. Even older, pre-dating Sulpizio's birth, is the present manuscript,
probably written at the beginning of the 15th century and apparently never
printed "because it was somewhat outmoded by the time when the printing
press first came into use." A few samples of the advice offered: "The nose
is first well cleaned of mucus / Nor should the bare hand touch it afterwards."
… "Let not the soup stain thy mouth nor thy breast." … "When the domestic
flea with six legs comes among those dining / Thou shouldst not try to touch
nor scratch thine head." … "A man's beard should not be immersed in the
wine: / Everyone should abstain from too much wine." The translation is
by O.J.A. Russell. "The frontispiece is from the 1499 edition of […] in
the Wine and Food Society's Library." Simon crossed off the words "the Wine
and Food Society's" and wrote "my own," followed by his signature: "André
L. Simon."
94. Simon, André L[ouis] (1877-1970).
Vom Wein und anderen geistigen Getränken. Mit zahlreichen Abbildungen
und 4 Karten. München: Wilhelm Heyne Verlag, (1970). Printed
in Germany 1970. 18 cm. 272 pages. Initials by Ottomar Starke. Illustrations
and maps by several artists. Pictorial paper. Nice copy.
©1960 by F.A. Herbig, Munich. In series "Praktische
Reihe" – Heyne book number 4121/22. The content has been revised in part
from the 1960 edition and the illustrations and maps are different, except
for the initials.
95. Simon,
André L[ouis] (1877-1970). The Star Chamber Dinner Accounts – being some
hitherto unpublished Accounts of Dinners provided for the Lords of the Privy
Council in the Star Chamber, Westminster, during the reigns of Queen Elizabeth
I and King James I of England, with a Foreword and Commentary by André L.
Simon. London: George
Rainbird for The Wine and Food Society, (1959). Printed by Butler &
Tanner, Frome and London. 28 cm. viii, 88 pages + 4 collotype manuscript
reproductions (printed by van Leer & Co., Amsterdam). Title-page in red
and black. Black cloth.
.
Simon was able to acquire 250 records of the
Star Chamber dinners, from 1519 to 1639. Of these he chose "fifty from 1567
to 1605 which cover Shakespeare's life because of the added literary interest
which they obviously possess for Shakespeare scholars; and I have also selected
… a number of contemporary recipes …" Section I of the book is "A Commentary
on Tudor Food," including meat, fish, vegetables, fruit, bread, as well
as a section on "The Cellar" (beer and wine). Section II reproduces the
actual accounts, while Section III consists of recipes. For Simon's earlier
work on this theme, see Star Chamber Revels, item 69 above.
96. Simon,
André L[ouis] (1877-1970). The History of Champagne. With 8 colour photographs
by Percy Hennell, 2 maps and 53 decorations. London: Ebury
Press, (1962). Printed by Drukkerij Holland, Amsterdam. 27.5 cm. 192,
(3 maps) pages + 8 color plates (indexed). Decorative headpieces, illustrations,
color photo endpapers. Bibliography pages 186-188. Correction slip tipped
in at page 180 re title for that page [corrected in the McGraw-Hill and
Octopus editions]. "Vellum"-backed pale brown cloth. Dustjacket matches
endpapers. Top edge of dustjacket worn.
©1962.
Designed and produced for the Ebury Press by George Rainbird, London. A
wide-ranging historical survey of the world's most widely appreciated beverage.
The first chapter is titled La Champagne (the province), the second
Le Champagne (the wine). This are followed by another nine chapters
of history. The book concludes with chapters on the current state of Champagne,
its vintages, bottles, corks and glasses. The final chapter is an account
of the case brought against "Spanish Champagne" by the Champagne shippers
and the conservative old wine merchants of Britain. The legal reasoning
that led to the final decision for the plaintiffs was quite impressive and,
in the end, very convincing, even though the arguments of the defense seemed,
at first, equally convincing. As I was reading this stirring legal saga,
the thought crossed my mind that, just as catholic with a small "c"
is all-embracing, while Catholic with a big "C" is quite specific,
we might consider a parallel use of champagne and Champagne.
But when I reached the end of the case, I changed my mind – there aren't
enough dedicated linguists in the world to make it work.
In his foreword, Simon references his The History of the Champagne Trade
in England of 1905. "This book has long since been out of print, as
well as out of date, and so much has happened in Champagne and to Champagne
during the twentieth century, that it is high time to bring its fascinating
story up to date."
97. Simon,
André L[ouis] (1877-1970) and Robert J. Misch. The History of Champagne.
With a chapter on American Champagne [sic] by Robert J. Misch. With
9 colour photographs by Percy Hennell, 2 maps and 55 decorations.
New York, Toronto, London: McGraw-Hill Book Company, (1962).
Printed by Drukkerij Holland, Amsterdam. 27.5 cm. 192, (3 maps) pages +
9 color plates (indexed). Decorative headpieces, illustrations, color photo
endpapers. Bibliography pages 218-220. "Vellum"-backed cream cloth. Dustjacket
(price-clipped) matches endpapers.
©1962. Designed and produced for McGraw-Hill
Book Company by George Rainbird, London. Identical to the original London
edition, except for the title, and the additional color photo plate and
illustrations for the added chapter on "American Champagne." By the most
hilarious twist of irony, the chapter on American Champagne immediately
follows the chapter on The "Spanish Champagne" Case. French Sonoma,
anyone? Well, at least there was a limit to our effrontery: no American
Champagne map.
98. Simon,
André L[ouis] (1877-1970) and Helmut Arntz. Champagner und Sekt. Die
Geschichte des schäumenden Weins. Von André L. Simon über den Champagner
und Helmut Arntz über den Sekt. Mit 16 Farbaufnahmen von Percy Hennell,
sowie 4 farbigen Landkarten von Julia Matcham. Berlin, Frankfurt/M,
Wien: Verlag Ullstein, (1962). Printed by Ullsteinhaus, Berlin.
27 cm. 243, (4 maps) pages + 16 color photo plates. Chapter headpieces.
Bibliography pages 234-235 (for Champagne) and 236 (for Sekt). Color photo
endpapers. Pale green cloth with gilt decoration. Dustjacket matches endpapers.
Excellent condition. In pale tan slipcase, with top and bottom of spine
just beginning to split.
©1962 by George Rainbird. Original English edition,
The History of Champagne, published by The Ebury Press. Chapters
1-13 and 21-24 were translated into German by Wilm W. Elwenspoek, while
chapters 14 to 20 on Sekt were written by Helmut Arntz. Chapters 1-13 correspond
to chapters 1-13 in the Enlish edition, while 22-24 = 14-16. Chapter 21,
however, is a translation (with a number of paragraphs omitted) of "American
Champagne," which is chapter 18 in the US edition. The title of this book
is also a hybrid of the English and US editions: "Champagne and Sekt. The
history of sparkling wine."
The chapter on the "Spanish Champagne" case (chapter 17 in the English and
US editions, has been omitted from this German edition. Instead, the opening
chapter on Sekt (chapter 14), explains how the word Sekt came to be applied
to German sparkling wine. As is true with so many words we take for granted,
the etymological path was rather convoluted, but I'll spare you the details.
The word champagne had also been used generically in Germany for
any "sparkling wine," as it had been elsewhere in Europe, including France,
until that usage became illegal under terms of the Versailles Treaty of
1919. Only five of the photo illustrations in this edition match those of
the original edition, and there are a number on the subject of Sekt. One
of the photos substituted in the Champagne section is quite interesting,
showing the operation of placing baskets of Champagne bottles, ready for
shipment, into the hoist that transports them from the deep chalk cellar
up to the top. The endpaper and dustjacket illustration has been revised
to depict German Sekt bottles in addition to Champagne. Some of the tables
at the end have been replaced with Sekt-related statistics, and a list of
Sekt producers. In addition to the maps of France and Champagne, there are
maps of Germany and Rhein/Main.
99. Simon,
André L[ouis] (1877-1970). Lo Champagne dalle origini ad oggi.
Milano: U.
Mursia & C., (1968). Printed in 1968 by «La Varesina Grafica», Azzate
(Varese). 20 cm. 242, (1) pages. Bibliography pages 237-239. Green cloth,
decorated dustjacket. Excellent copy.
©1962, George Rainbird. ©1968 for the Italian
translation. Translated from the original The History of Champagne
by Giuseppe Castoldi. Appears to be a complete translation, omitting only
chapter 17 (The "Spanish Champagne" Case) and Appendix 2. There are no maps
or illustrations.
100. Simon,
André L[ouis] (1877-1970). The History of Champagne. With 8 colour photographs
by Percy Hennell, 2 maps and 53 decorations. London, New York, Sydney,
Hong Kong: Octopus Books, (1971). Printed by Svoboda, Prague.
26 cm. 192, (3 maps) pages + 8 color plates (indexed). Decorative headpieces,
illustrations, color photo endpapers. Bibliography pages 186-188. Pale yellow
cloth. Dustjacket matches endpapers. Back of dustjacket has a few tears.
©1962, George Rainbird. This edition published
1971 by Octopus Books, London.
101. Simon,
André L. and S.F. Hallgarten. The Great Wines of Germany and its famed
vineyards. With color photographs by Percy Hennell and maps by Sheila Waters.
New York, Toronto, London: McGraw-Hill Book Company, (1963).
Printed by Drukkerij Holland, Amsterdam. 27.5 cm. 191, (1), (8 maps) pages
+ glossy color photo plates – all indexed. Headpiece illustrations. Bibliography
page 186. Color photo illustrated endpapers. Erratum note at foot of page
191. "Vellum"-backed green cloth with a few inconspicuous water stains on
front cover. Dustjacket matches the endpapers. It's a little edgeworn at
the top.
First published 1963. Produced for McGraw-Hill
by George Rainbird, London. Simon says in his foreword that on his first
visit there in 1911, he fell in love with the Rhine and the Moselle. The
only other two rivers he had known then were the Seine and the Marne, "both
famous in French history but not comparable in beauty with the Rhine and
the Middle Moselle." He has made "one more visit, perhaps my last, … in
the company of a younger and far better informed man than myself – … Fritz
Hallgarten … [whose] knowledge of the vineyards and wines of Germany is
unsurpassed." Following a short history of German wine, there are chapters
on wine-making, the naming of wines, the vineyards and their grapes, the
great vintages, Sekt, brandy, wine containers. There is also a glossary
and a number of appendices with a variety of wine statistics. The bibliography
does not list the Simon/Arntz work on Champagne and Sekt, published shortly
before this book.
102. Simon,
André L. and S.F. Hallgarten. The Great Wines of Germany and its famed
vineyards. With color photographs by Percy Hennell and maps by Sheila Waters.
New York, Toronto, London: McGraw-Hill Book Company, (1963).
Printed by Drukkerij Holland, Amsterdam. 27.5 cm. 191, (1), (8 maps) pages
+ glossy color photo plates – all indexed. Headpiece illustrations. Bibliography
page 186. Color photo illustrated endpapers. Erratum note at foot of page
191. "Vellum"-backed green cloth, with small bump at lower right corner
of front cover. Dustjacket matches the endpapers.
First published 1963. Produced for McGraw-Hill
by George Rainbird, London. Another copy (see item 101 above).
103. Simon,
André L[ouis] (1877-1970). The Commonsense of Wine. Foreword by André
Maurois. Cleveland: The Wine and Food Society in association
with World Publishing Company, (1966). Printed by Athenaeum Printing
Works, Budapest. 24 cm. 192 pages + glossy color frontispiece portrait of
Simon. Green "vinyl" cloth. Dustjacket has two long tears and some discoloration.
©1966 by Wine and Food Society Publications.
Produced by George Rainbird, London. Also published by Michael Joseph, London.
There were later printings, as well. The book is in a question and answer
format throughout, with short introductory chapters followed by detailed
information on specific wine areas – France, Italy, Spain, Portugal, Germany,
and the rest of the world. "All that I have learnt in the course of the
four score years during which I have loved wine, has been the making of
this book. I have done my best to answer all the questions which I have
ever asked myself, and the questions which a great many people have asked
me during my long and well-wined life." [preface]. In his foreword, André
Maurois expresses gratitude to Simon "for having been for so many years
the ambassador of the wines of France."
104. Simon,
André L[ouis] (1877-1970). The Wines Vineyards and Vignerons of Australia.
London: Paul Hamlyn, (1967). Lee Fung Printing Company,
Hong Kong. 27 cm. xiii, 194 pages + 6 glossy color photo plates. Numerous
maps in color. Photo illustrations. Full-page decorative chapter heads with
photo illustrations. Bibliography pages 188-190. Decorated endpapers. Red
cloth, dustjacket repeating two of the book's color photos.
©1966 Lansdowne Press (Melbourne). Published
1967 by Paul Hamlyn. There were also later reprints. The material is in
three parts: The Vineyards, The Wines, The Vignerons (pages 1-126). These
are followed by seven appendixes on subjects ranging from history to grape
varieties to wine in the kitchen, and a glossary of wine-tasting terms.
The opening and closing paragraphs of the foreword are interesting: "There
are in Australia a great many wines from fair to fine in quality which are
characteristically Australian wines. They cannot be anything else:
they are members of the great family of wines of the world, just as the
men who make the wines are members of the great human family … – – The world
is made of all sorts, and there are all sorts of wines for them all. There
is no reason why any of the good wines which are better known than others
should be jealous of other good wines not so well known as they are themselves:
there can never be too many good wines in the world any more than there
will ever be too many good people." This same preface would, I think, go
nicely with a book on Canadian wines.
I was amused by a jacket-blurb paragraph about Simon: "As a young man, he
married an English girl and went to London to represent the champagne firm
of Pommery." I had visions of a similar paragraph about Mrs. Simon – As
a young woman, she married a French boy and went with him to France to live
in the Champagne country.
105. Simon,
André L. (editor). Wines of the World. Edited by André L. Simon. With
contributions by H. Warner Allen [Portugal], H. Arntz [Sekt],
S.F. Hallgarten [Germany], Anthony Hogg [Other Vinelands of the
West, i.e. Europe and Middle East], John N. Hutchison [Americas],
George Rainbird [Spain], Cyril Ray [Italy], André L. Simon
[France, North Africa, Germany, Australia & New Zealand, South Africa].
New York, Toronto, London, Sydney: McGraw-Hill Book Company,
(1967). Printed in Great Britain and The Netherlands. 27.5 cm. 719 pages,
including 40 color photo plates, the majority of them by Percy Hennell.
Maps. Bibliography pages 704-706. Color photo endpapers. Red cloth. In slipcase
decorated with photo illustrations matching endpapers. Excellent condition.
Designed and produced by George Rainbird, London.
©1967. From the introduction by Simon: "There are not so many vineyards
in Europe now as there were a hundred years ago, but there are many more
in both North and South America, as well as in Australia and South Africa,
so that, on balance, the acreage is greater today than it has probably ever
been …" The growing demand for more homes and factories is threatening the
existence of some vineyards. "Haut-Brion and Pape Clément, near Bordeaux,
have been reached and by-passed, but the fate of some ‘suburban’ vineyards
near San Francisco and Adelaide is very precarious … – … The outstanding
excellence of the really great wines nowhere else to be had except from
France and Germany is responsible for their very high cost which places
them outside the reach of all but the wealthy, and it is most unfortunate
that the people who have greater wealth do not necessarily possess a sensitive
palate, a gift which one gets or does not get at birth; it cannot be bought
over the counter." Simon's view of the wines of France and Germany is reflected
in the space devoted to them in this book – 124 pages for France, and 120
for Germany. Next come Italy with 116, Portugal with 102, and Spain with
76. The rest of Europe gets 48 pages, followed closely by Australia and
New Zealand with 42. Which leaves North and South Africa (26), and the Americas
(38). By the mid sixties, California was being noticed and that is reflected
in its allocation of 22 of the Americas' 38 pages. Anyway, I went to the
trouble of doing the counts, and felt compelled to inflict them on you.
In the acknowledgements department, Anthony Hogg thanks his wife, among
others, "who first insisted that the writing of these chapters would be
more useful and less destructive than swinging a golf club on her carpet
…" This book saw its 4th printing in 1969, and a second edition in 1981,
edited by Serena Sutcliffe.
106. Simon,
André L[ouis] (1877-1970). In the Twilight. London: Michael
Joseph, 1969. Printed in GB at the Curwen Press, Plaistow. (7), 182
pages + frontispiece photo portrait of Simon. Title-page vignette of Simon's
bookplate. Bibliography of his books and articles, from 1905 through 1966.
Rose cloth. Dustjacket lightly soiled.
Simon had finally retired full-time to Little
Hedgecourt, his home away from London for many years, when he wrote this,
his second, autobiography. He tells us about many events in his long life,
some of them new, some told again with a new twist. There is a chapter on
collecting wine books, at which he was as proficient as he was at writing
them. His accounts of trips to the United States are quite entertaining.
One of his gastronomic adventures took place on a flight from New York to
London in 1935 [pages 71-72]. I would say this adds pioneer of early transatlantic
airline travel to his many other distinctions. There is a faint note of
regret in Simon's accounts of his efforts over the years in establishing
American chapters of the Wine and Food Society. Reflecting on his whirlwind
tour of the US in 1946 with Frank Schoonmaker, organized by Crosby Gaige:
"The only part of Crosby's plan which I did admire was its full morocco
binding!" [73] He felt that "all the time and money I spent in the United
States, during some thirty years of my life, on and off …" could be called
a failure, except that as a gardener at Little Hedgecourt he realized that
one must have patience. "The Wine and Food Society has now blossomed beautifully,
and it has become a national institution." He attributes his initial failure
to not meeting the right people, such as George Rezek, "a gardener of genius."
He had met Maynard Amerine, "more knowledgeable about wine than either Dr.
Rezek or myself, [but] his work at the University of California left him
no chance for the kind of missionary crusading in the Rezek style even had
the gift been his." [73-74].
Simon's dedication: "I wish to record my grateful appreciation of the most
valuable help given to me, in my near blindness, by my young and dear friend,
Hugh Johnson, who has seen this book through the press."
107. Simon,
André L[ouis] (1877-1970). The International Wine and Food Society's
Gazetteer of Wines. London: International Wine and Food Publishing
Company – David & Charles, (1972). Printed in GB by A. Wheaton & Co,
Exeter. 24 cm. 311, (1) pages. Maps. Bibliography page 247. Pages 249-312
("Maps of the Vinelands of the World" with lists of vineyard names) are
printed on pink paper. Decorated endpapers. Red vinyl boards, pictorial
dustjacket.
In his foreword, George Rainbird says that this
was Simon's last book. "At the time of his death the Gazetteer was
completed but needed revising … This task is now complete, and the Gazetteer
of Wines stands not only as a unique index of world viticulture, but
as a final tribute to André L. Simon." A review of the "major vinelands
of the world" (pages 11-53) is followed by the dictionary itself (pages
55-246, double column). The entries are short, averaging two to three lines
each. From Simon's introduction: "Admittedly incomplete as our gazetteer
may be, we claim that the many thousands of vineyards and wines recorded
here … are those of most, but not all of the world's known vineyards and
wines."
108. Baranger,
Léon & André L. Simon. Almanach du Franc Buveur pour 1926. Illustré d'un
frontispiece de Daragnès et de ving-cinq bois gravés de G. Belot, Broutelle,
Contel, Falké, C. Lebreton, Lissac, Meheut, J.-L. Perrichon, C. Serveau,
Schulz, F. Siméon, Vettiner et Maximilien Vox. Paris: "Le
Livre" – Émile Chamontin, Directeur, (1926). Printed by R. Coulouma,
Argenteuil, 30 January 1926. 19.5 cm. (2 blank leaves), (4), 145, (1), (26
wine advertising), (1 colophon) pages. Stiff brown paper, paper label on
cover.
Five copies of this work, numbered 1 to 5, included
a suite of the woodcuts. There were also 20 copies on "Hollande van Gelder"
(6 to 25), 75 copies on "vélin de pur chiffon" (26-100) and 50 contributors'
copies on various papers (I to L). This copy is not numbered.
The
book is organized by astrological horoscope, with each month assigned a
sign of the zodiac – from Capricorn for January (22 December to 22 January)
to Sagittarius for December (22 November to 22 December). A full page woodcut
illustration introduces each month and a headpiece woodcut accompanies each
month's calendar, with saints or church holy days shown for each day. The
editors tell us that their information was drawn from a treatise on Black
Magic, "Cardinal Richelieu's fortune-telling (Hachette edition) and the
works of Sir John Never-Takeenough, Queen Victoria's head chamberlain."
Readers are invited to submit further information. The material consists
of a miscellany of poetry, quotations on wine from various sources, drink
recipes, and so on. Each month also has a short piece on a French wine region.
André Simon apparently edited the contents for technical accuracy, and he
turned a "wild child" into a "well-mannered girl." In any case, one of the
objectives of this "calendar," which they hoped to continue in following
years, was to speak out against the hypocrisy of prohibitionism. "They deprive
themselves of life in order not to risk losing it."
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